ABOUT WEBSITE: The Green Lights is an annual exhibition hosted by the graduating fine art students of Minerva Art Academy. It serves not only as an assessment during which the students aim to get their ‘green light’ to graduate, but as an opportunity to independently create a public exhibition. Faced with the challenge of bringing together 55 unique practices, we’ve based this year’s Green Lights around the Art Spectrum, a compass navigating different positions, approaches and cultures within the fine arts. Where do we stand? What does it stand for? These are the questions we raise rather than answer as we try to materialise the complex and diverse ecosystem of the art culture.
ABOUT THE ART COMPASS: The Art Compass is based on the well know political compass, as it provides four extreme artistic positions as the boarders of the fluid space in between. On the horizontal axis the attitude of the artist toward their practice is defined as between craft and concept. These two well known and often scrutinised labels have in this case a more suggestive nature, indicating whether the concept, idea, message is prioritised over the technique, medium, skill or vice versa. The vertical axis defines the position of the artist towards the art world. From the white cube, gallery culture and the art market making up the inside, to alternative non-art spaces and practices challenging the boarders of art from the outside, the artists occupy positions based on how much they conform to or rebel towards the established art institution.
The interaction of the axis creates four areas - inside concept, outside concept, outside craft and inside craft - each representing an artistic subculture in which specific values, opinions, movements and artworks exist.
Although seemingly opposite, the two directions of each axis are more often than not intertwined, and so the artist might assume different positions along the axis at different times, in relation to different works, or they might assume a wide area of the spectrum within which their practice exists.
This work is a fraction of the much bigger story of music band Holy Hoax. These posters visualise the narrative that runs through their music, giving glimpses into the stories they tell in their writing. In these posters there is an implication that there is a story between the text and the imagery, leaving a lot of room in-between for individual interpretation.
In the band’s way of thinking, these stories in their posters are ambiguous and are rooted in facts and real life, but somewhere down the line this blends together with fiction. Because even through fiction a very true and clear point can be expressed.
Each work I make entails a vague story in my mind that is told through only a few elements or a paused moment in this story’s timeline. This way I like to create a feeling of ambiguity and space for imagination.